I am in a poetry writing group. We are working our way through The Crafty Poet: A Portable Workshop by Diane Lockward. Craft Tip #12 is about the uses of myth. “Milarepa’s Muses” is based on The Non-Duality of Coming to Know the Light Within the Darkness; Age of Kali , a talk given by Aaron on Saturday Morning, December 3, 2016, at a retreat in Seattle. Aaron is channeled by Barbara Brodsky. You can read Aaron’s entire talk at the Deep Spring Center Archives. I have included a clip of just the story of Milarepa at the end of this post.
Milarepa’s Muses
Demons on the doorstep
Demons outside, Milarepa inside
DualityDelighted demons destroying
Property and Milarepa’s
PeaceAlways there, those demons
Doing their demon things
DeterminedDogging his footsteps
Dodging his arrows
Dastardly“Eat me,” mouthed as
Milarepa puts his head inside the demon’s mouth
VictoryThe demon disappears
Light merging with darkness
OnenessDebra Basham 7-17-2018 (WC 53) based on The Non-Duality of Coming to Know the Light Within the Darkness; Age of Kali by Aaron
It seems one of the most common demons visiting humans is the demon of the fear of death. I just finished reading Frank J. Cunningham’s, Vesper Time: The Spiritual Practice of Aging. On page 131-132, Cunningham writes that when the Dali Lama was asked if he feared death, he replied, “It’s just a change of clothes.”
Ending the duality and recognizing the truth that death is just a change of clothes is putting your head inside the demon’s mouth and watching the demon disappear.
The Non-Duality of Coming to Know the Light Within the Darkness; Age of Kali
December 3, 2016 Saturday Morning, Seattle Retreat;
Combined retreat opening talk and morning instruction with Aaron
Some years ago, I offered the group at this retreat the second Milarepa practice. Not the serving tea practice, that’s Part 1. First we serve him tea. We get used to the demon. We stop running from or denying the demon. We open our hearts to ourselves and the demon. We serve him tea and say, “Shh, no dialogue. We’re not going to talk, but you may be here. I’ll let you be present.” To let him be present there must be a deep sense of, not your power, the power, when you rest in connection with the light. It is that connection that allows you to permit the demon to sit before you. But there’s still separation: me here, the demon there.
The second Milarepa practice. He comes back to the area of his cave carrying firewood on his back. As he approaches his home he finds it’s overrun by demons. His first impulse is to grab a stick of firewood. He starts chasing them with one big club. Of course, they’re delighted; they laugh. They were really getting to him! “Look how much anger! Ooo! More! More!” So the more he chases them, the more they take delight in his fear and anger.
Finally he realizes this isn’t working. He sits, he meditates, he thinks, “What can I do? I’ll send loving wishes to them.” They laugh. They don’t care about his loving wishes. They’re busy destroying his home. “What else can we do? How can we get him more riled up?” and proceed with their destruction. Finally he looks around. He thinks, “maybe they’ve always been here and I just never noticed them before. I’ll just be here and present with them”. Most of them get bored when he’s no longer agitated, and they leave. But there’s one fierce demon with bulging eyes, big teeth, a huge, gaping mouth, and he follows Milarepa everywhere, 6 inches behind him, always right there, sometimes coming around face to face.
The days pass, the weeks pass. Finally, Milarepa understands there’s only one choice here. He approaches the demon, looks him in the eyes, says, “Eat me,” and puts his head in the demon’s mouth. What happens then? The demon disappears. Why?
Q: The demon has no power over Milarepa.
Aaron: Even more than that. Thank you, but one more step.
Q: Non-duality.
Aaron: He ends the duality. This is what we’re doing here, not just at the retreat, but this is what your world has invited you to. This is the whole image of Kali, the destroyer, destroying the duality. Fully embracing not only the light, but the darkness. Instead of clinging to the light and in any way trying to push the negative away, as we embrace the darkness and merge the light with the darkness, they dissolve into one. I use the image here of a huge dark cave; if you light one match the whole cave is lit even if dimly. You can’t see into the darkest corners, no. But as soon as there’s light, there’s light. It’s no longer dark.